Spike
Rock & Soul Archaelogist
Gearjammer said:Spike, I think I have to agre with you on the point that young black America grew out of blues, and into r+b. I think that is partly why blues isn't a forefront musical style. I think another reason is the way rock and roll kind of seized the blues, ran with it, and in a way, morphed it into a larger overbearing genre. I mean rock and roll has always been like that, it bases itself on what in this country is typically "black" music and puts a new spin on it to sell to white audiences. It started with blues, thru r+b, disco, reggae, and now many hip hop or rap elements are finding their way inot mainstream rock.
But I think blues will always be active. Just as in the past there are variations on it. Some artists are known more for vocals, some guitar prowess, just like it always was. It is much like jazz, in that it has always been there, it is something you have to seek out. MTV, VH1, and contemporary radio don't celebrate it, which in a way is nice, because when you do find it, it is purer and far more enjoyable.
By the way Spike......that must have been one hell of a blues festival! It was a who's who of blues music.
Good post, Gearjammer. You're absolutely right about the way that rock has assimilated all kinds of black music styles over the years. But the sequencing of that process is interesting. In the early 50s, R&B emerged as a combination of blues and gospel. And rock 'n' roll emerged more from that mix than from the blues directly. But in the 60s, rock -- particularly the British blues rock of the Stones, Yardbirds, etc -- reached back to the Chicago blues of the 50s as a direct inspiration.
When I was 17 I was too young to really appreciate the greatness I was witnessing at that festival. But now that I'm three times that age, I feel too old to go out and find the authentic new blues that you say is still out there!
Spike