^^I am terrible when it comes to taking photos George, even though this little camera is not that complicated I still haven't spent enough time to figure it all out, like how to turn off the flash indoors.
^^I did look into Monitor Audio along with the other contenders before heading out to do a listening test, all the manufacturers I mentioned make good quality gear, it was just a matter of the "right deal" coming my way.
Sibilance...that's a tricky question, it can depend on so many factors including the microphone the singer used, the studio itself the way it was mixed at the console.
Last year I bought a "cheap" Grado cartridge for about $60, for the singular purpose of going through about 200 old vinyl recordings to see which ones were still playable. I didn't want to use my good cartridge for that. Anyway one of the strengths of the Grado was the bass and lower midrange, but it also had a tendency on certain records to "smudge" the SH sound just as you described. Yes's Fragile comes to mind right away, along with certain other records. Most of the time the Grado was fine, so I have to conclude it wasn't just the cartridge but the actual recording itself.
However having said all that...when I got my new Dynavector cartridge it does such a superior job on the midrange/high end that the same albums that I heard the "SH" sound on was not nearly as noticeable when I played them with the new cartridge.
Not sure how much help that is 2LITTLETIME, but for me I will always want the Highest Quality files period, which means the highest bitrate.
Have you ever listened to a vinyl rip at 24-192 of any of your favorite albums? If not you should and see what you think of the difference.

^Thanks for the reply^
I was looking through an audiophile mag today when i was out and came across your speakers in a comparison test with others in that price range.They came out very favourably indeed.
Ive a question for you in relation to bad sibilance on the vocals.I get this a lot from downloads even at 320.
Do you ever get it from vinyl sources or from your own cds...
I looked up the definition cos im an idiot lol
Sibilance is a sound characterized by pronouncing words with the letter 's'. In audio reproduction the letter 's' should sound clear and distinct, not smeared or distorted as in 'sh'. The letter 's' should sound like a hissing sound.
^^I did look into Monitor Audio along with the other contenders before heading out to do a listening test, all the manufacturers I mentioned make good quality gear, it was just a matter of the "right deal" coming my way.
Sibilance...that's a tricky question, it can depend on so many factors including the microphone the singer used, the studio itself the way it was mixed at the console.
Last year I bought a "cheap" Grado cartridge for about $60, for the singular purpose of going through about 200 old vinyl recordings to see which ones were still playable. I didn't want to use my good cartridge for that. Anyway one of the strengths of the Grado was the bass and lower midrange, but it also had a tendency on certain records to "smudge" the SH sound just as you described. Yes's Fragile comes to mind right away, along with certain other records. Most of the time the Grado was fine, so I have to conclude it wasn't just the cartridge but the actual recording itself.
However having said all that...when I got my new Dynavector cartridge it does such a superior job on the midrange/high end that the same albums that I heard the "SH" sound on was not nearly as noticeable when I played them with the new cartridge.
Not sure how much help that is 2LITTLETIME, but for me I will always want the Highest Quality files period, which means the highest bitrate.
Have you ever listened to a vinyl rip at 24-192 of any of your favorite albums? If not you should and see what you think of the difference.




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