Well, I've said my piece but it always cracks me up when someone comes along saying 'if you'd only listen to it more closely or in this frame of mind etc'. I find that argument exactly like the art snob saying 'if you'd only look at that spot in the middle of the canvas more closely or in this frame of mind etc'.
I have heard it since before it was mainstream. know a lot of people who tried to turn me on to it and I like it less now than when I first heard it and thought it was a curious (though lame) take on beat poetry.
Like a lot of popular stuff I really wish I did like it. It would be cool to be able to go to a lot of places that play that shit and actually like what I'm hearing but I don't see that ever happening.
^ Well they say variety is the spice of life.
The painting analogy reminds me of when I accused some Radiohead fans of being like admirers of modern art. People would go into an art gallery and say they liked a painting, because they were afraid to be seen to be missing something. This was sent up in a Tony Hancock film, The Rebel (GB 1961), where he enters ill-conceived 'art' to a gallery and it is feted by a respected critic and his followers. But, in the end, the so-called art was really rubbish all along.
The Radioheads were upset and accused me of raining on their parade, so the lesson I learned was to leave them to what they enjoy. But, don't ever compel me to listen to Radiohead!
Rush are a very good example, Soot. They started as a (good) Led Zeppelin copy and became a more complex or intricate heavy rock band. Later, starting with Moving Pictures they became adept at pulling the wool over people's eyes by repeating ideas, but tightening up the track length. Sometimes this worked, but, compared to the early material, it is just not as good. It has become 'cool' to like them on progressive rock sites, but they were never progressive to me.