^^Yes Coltrane it all begins with the original recording, if it's skinny and rubbish then it's never going to sound very good in any format.
However, when you are talking about bandwith for instance, I equate it with looking at a painting. You can look at a small lithograph of a masterpiece and say..."Yes it's a Rembrandt and a wonderful piece of art." But then when you see the original work in all it's glory in full scale all of the details are there to be seen. I look at music/recording/formats the same.
Joe...the big argument the hard core audiophiles I know is with the 16bit CD format, they felt from the very beginning that it was not good enough to capture all the detail of a top notch analog setup. I can't fault Philips they invented both the CD and then the DVD a few years later.
The differences are very subtle between the 24-96(DVD audio) and a Blu Ray rip(24-192)if the original recording is not very good then I would be hard pressed to distinguish between them. If it's a copy of DSOTM...yes I can tell the difference on my reference system.
Even a rip done at either of those bit rates when sampled down to "Redbook" specs is usually far better than the CD you buy at the store. I have numerous examples of that.
To be fair the copy of Queensryche's "Operation Mindcrime" I have in 16-44 vinyl rip is not as good as the Japanese import CD version, but that album even though I love it is not the best produced as far as sound quality goes.
I think you and coltrane2 are missing my point. This is my point (actually above and beyond):
Still want to buy some snake oil?
HOCUS POCUS
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