It was a sad day when Garcia passed away. I think he was far from reaching his peak. I don't care much for any of the projects the other members have launched since his passing (The Other Ones, The Dead, Phil and Friends, et. al.). It's not because I think he was the driving force behind the band...as important as he was...after all, they did call him Captain Trips. But the Grateful Dead were the perfect example of how important, how essential band chemistry is. You simply cannot have the Dead without Phil Lesh's slithering bass lines...or Bob Weir's tastefully sparse rhythm playing...or the double drum battery of Bill Kreutzmam and Mickey Hart...or the soulful keyboard playing and bluesy howling of Pigpen McKernan...no, wait...Pigpen died and they kept on truckin'...okay, Keith Godchauex was able to fill the opening well enough (then again, it WAS the Pigpen departure and the Godcheaux entrance that drew the dividing line between their best work and the rest)...then Godcheaux died and they trucked on with Brent Mydland...he added a nice modern touch and added another very strong voice to the mix...then HE died...all of which, I suppose, doesn't really say so much about band chemistry as it does pointing out that keyboard players in the band kicked it as frequently as Spinal Tap drummers.
But you get what I mean about the band chemistry. That and the fuel of energy generated by their audience, hands down the most devoted to ever follow a band, and the recipe for "classic" is ready to be thrown into the microwave.
Great band, but I really have to be in a certain mood to appreciate them...and I'm NOT necessarily talking about being sky high (though that helps).