Re: Chuck Berry ~ Appreciation Thread
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Still on the road (1980 to present)
Berry performing live in 1997Berry continued to play 70 to 100 one-nighters per year in the 1980s, still traveling solo and requiring a local band to back him at each stop. In 1986, Taylor Hackford made a documentary film, Hail! Hail! Rock 'n' Roll, of a celebration concert for Berry's sixtieth birthday, organised by Keith Richards, in which Berry reveals his bitterness at the fame and financial succes that Richards achieved on the back of Berry's songs. Eric Clapton, Etta James, Julian Lennon, Robert Cray and Linda Ronstadt, among others, appeared with Berry on stage and film. During the concert, Berry played a Gibson ES-355, the luxury version of the ES-335 that he favored on his 1970s tours. Richards played a black Fender Telecaster Custom, Cray a Fender Stratocaster and Clapton a Gibson ES 350T, the same guitar Berry used on his early recordings.
In the late 1980s, Berry bought a restaurant in Wentzville, Missouri, called The Southern Air, and in 1990 he was sued by several women who claimed that he had installed a video camera in the ladies' bathroom. Berry claimed that he had the camera installed to catch red-handed a worker who was suspected of stealing from the restaurant. Though his guilt was never proven in court, Berry opted for a class action settlement with 59 women. Berry's biographer, Bruce Pegg, estimated that it cost Berry over $1.2 million plus legal fees. It was during this time that he began using Wayne T. Schoeneberg as his legal counsel. Reportedly, a police raid on his house did find videotapes of women using the restroom, and one of the women was a minor. Also found in the raid were 62 grams of marijuana. Felony drug and child-abuse charges were filed. In order to avoid the child-abuse charges, Berry agreed to plead guilty to misdemeanor possession of marijuana. He was given a six-month suspended jail sentence, two years' unsupervised probation, and ordered to donate $5,000 to a local hospital.
In November 2000, Berry again faced legal charges when was sued by his former pianist Johnnie Johnson, who claimed that he co-wrote over 50 songs, including "No Particular Place to Go", "Sweet Little Sixteen" and "Roll Over Beethoven", that credit Berry alone. The case was dismissed when the judge ruled that too much time had passed since the songs were written.
Currently, Berry usually performs one Wednesday each month at Blueberry Hill, a restaurant and bar located in the Delmar Loop neighborhood in St. Louis. In 2008, Berry toured Europe, with stops in Sweden, Norway, Finland, the United Kingdom, the Netherlands, Ireland, Switzerland, Poland, and Spain. In mid-2008, he played at Virgin Festival in Baltimore, MD. He presently lives in Ladue, Missouri, approximately 10 miles west of St. Louis.
Legacy
While no individual can be said to have invented rock and roll, Chuck Berry comes the closest of any single figure to being the one who put all the essential pieces together. It was his particular genius to graft country & western guitar licks onto a rhythm & blues chassis in his very first single, “Maybellene.”
Rock and Roll Hall of Fame. A pioneer of rock music, Berry was a significant influence on the development of both the music and the attitude associated with the rock music lifestyle. With songs such as "Maybellene" (1955), "Roll over Beethoven" (1956), "Rock and Roll Music" (1957) and "Johnny B. Goode" (1958), Chuck Berry refined and developed rhythm and blues into the major elements that made rock and roll distinctive, with lyrics successfully aimed to appeal to the early teenage market by using graphic and humorous descriptions of teen dances, fast cars, high-school life, and consumer culture, and utilizing guitar solos and showmanship that would be a major influence on subsequent rock music.
His records are a rich storehouse of the essential lyrical, showmanship and musical components of rock and roll; and, in addition to the Beatles and the Rolling Stones, a large number of significant popular-music performers have recorded Berry's songs.
Though not technically accomplished, his guitar style is distinctive - he incorporated electronic effects to mimic the sound of bottleneck blues guitarists, and drew on the influence of guitar players such as Charlie Christian, and T-Bone Walker, to produce a clear and exciting sound that many later guitar musicians would acknowledge as a major influence in their own style.[ Berry's showmanship has been influential on other rock guitar players, particularly his one-legged hop routine, and the "duck walk", which he first used as a child when he walked "stooping with full-bended knees, but with my back and head vertical" under a table to retrieve a ball and his family found it entertaining; he used it when "performing in New York for the first time and some journalist branded it the duck walk."
The rock critic Robert Christgau considers him "the greatest of the rock and rollers," while John Lennon said that "if you tried to give rock and roll another name, you might call it 'Chuck Berry'." Among the honors he has received, have been the Grammy Lifetime Achievement Award in 1984, the Kennedy Center Honors in 2000, and being named seventh on Time Magazine's 2009 list of the 10 best electric guitar players of all-time.
Berry is included in several Rolling Stone "Greatest of All Time" lists. In September 2003, the magazine named him number 6 in their list of the "100 Greatest Guitarists of All Time". This was followed in November of the same year by his compilation album The Great Twenty-Eight being ranked 21st in the Rolling Stone's 500 Greatest Albums of All Time. The following year, in March 2004, Berry was ranked fifth out of "The Immortals - The 100 Greatest Artists of All Time". In December 2004, six of his songs were included in the "Rolling Stone's 500 Greatest Songs of All Time", namely "Johnny B. Goode" (# 7), "Maybellene" (# 18), "Roll Over Beethoven" (# 97), "Rock and Roll Music" (#128), "Sweet Little Sixteen" (# 272) and "Brown Eyed Handsome Man" (# 374). In June 2008, his song "Johnny B. Goode" ranked first place in the "100 Greatest Guitar Songs of All Time".