Metal Head Mike
Senior Member
Love Wishbone Ash. I think I own all there albums. But really love there 70's 80's albums
Wishbone Ash (Official Thread)
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KingHeadache
Banned
Great band !!
2LITTLETIME
Senior Member
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1971 Pilgrimage-Played side one about 3 times straight off-Good stuff
METALPRIEST
Senior Member
40 Years Ago: Wishbone Ash’s ‘Wishbone Four’ Released
SOURCE LINK
On May 11, 1973, Wishbone Ash’s steadily accelerating career momentum took a turn for the worse with the release of the fan-and-critic-polarizing ‘Wishbone Four.’
Perhaps most perplexing about this turn of events was the fact that every Wishbone Ash LP to date had been fueled by daring experimentalism and constant evolution. One would have expected listeners to be more open-minded – or at least a little lenient – with ‘Wishbone Four’s’ next chapter in this tradition.
The previous year’s career standout, ‘Argus,’ had seen something of a culmination of the band’s adventurous blend of progressive pastoral whimsy with twin-guitar dexterity. But ‘Four’s’ increasing shift towards acoustic folk and incremental eclecticism doesn’t feel that radical with so many years’ distance to objectively judge it.
The first single, ‘No Easy Road,’ was certainly a stretch, with its surprising horn section and R&B back-up singers seemingly borrowed from Humble Pie, and the eight-minute ‘Everybody Needs a Friend’ distinctly lacked the improvisational feel of ‘Argus’ and ‘Pilgrimage,’ before it. But album opener ‘So Many Things to Say’” and Side Two’s ‘Doctor’ maintained much of the aggressive thrust often found on previous albums, minus those trademark harmonies.
Actually, the problems may have derived from the LP’s remaining songs: ‘Ballad of the Beacon,’ ‘Sorrel,’ ‘Sing Out the Song’ and, to a lesser degree, ‘Rock ‘n’ Roll Widow’ – all of which were pleasant but, on the whole, uninspired. In fact, though they, in many ways, reprised the laid-back vibes all-too common to earlier Wishbone efforts, these songs admittedly lacked the evocative wordplay and widescreen panoramas of what had come before.
So too, has ‘Wishbone Four,’ for all its quality next to other, lesser bands, come to be overshadowed by its distinguished predecessors in the stakes of classic rock history: a victim of sonic evolution, as we’ve seen in retrospect, fallen prey to the band’s diminishing audacity, rather than a result of fickle fan behavior.
SOURCE LINK
On May 11, 1973, Wishbone Ash’s steadily accelerating career momentum took a turn for the worse with the release of the fan-and-critic-polarizing ‘Wishbone Four.’
Perhaps most perplexing about this turn of events was the fact that every Wishbone Ash LP to date had been fueled by daring experimentalism and constant evolution. One would have expected listeners to be more open-minded – or at least a little lenient – with ‘Wishbone Four’s’ next chapter in this tradition.
The previous year’s career standout, ‘Argus,’ had seen something of a culmination of the band’s adventurous blend of progressive pastoral whimsy with twin-guitar dexterity. But ‘Four’s’ increasing shift towards acoustic folk and incremental eclecticism doesn’t feel that radical with so many years’ distance to objectively judge it.
The first single, ‘No Easy Road,’ was certainly a stretch, with its surprising horn section and R&B back-up singers seemingly borrowed from Humble Pie, and the eight-minute ‘Everybody Needs a Friend’ distinctly lacked the improvisational feel of ‘Argus’ and ‘Pilgrimage,’ before it. But album opener ‘So Many Things to Say’” and Side Two’s ‘Doctor’ maintained much of the aggressive thrust often found on previous albums, minus those trademark harmonies.
Actually, the problems may have derived from the LP’s remaining songs: ‘Ballad of the Beacon,’ ‘Sorrel,’ ‘Sing Out the Song’ and, to a lesser degree, ‘Rock ‘n’ Roll Widow’ – all of which were pleasant but, on the whole, uninspired. In fact, though they, in many ways, reprised the laid-back vibes all-too common to earlier Wishbone efforts, these songs admittedly lacked the evocative wordplay and widescreen panoramas of what had come before.
So too, has ‘Wishbone Four,’ for all its quality next to other, lesser bands, come to be overshadowed by its distinguished predecessors in the stakes of classic rock history: a victim of sonic evolution, as we’ve seen in retrospect, fallen prey to the band’s diminishing audacity, rather than a result of fickle fan behavior.
metalife
Senior Member
Wow. I had no idea they had some many albums!
A heard the name of the band in an Ian Rankin book and asked one of my older work mate about them. He was so wrapped i was interested he gave me a copy of Pilgrimage on vinyl.
Awesome album. What are people's opinions on the band's best albums?
metalife
Senior Member
Thanks mate. I'll have to start going through their catalogue.
Jake T
Running With The Pack
There's a new album, Blue Horizon, that's not on the list.
My top five from the list:
My top five from the list:
- Argus
- No Smoke Without Fire
- Just Testing
- Illuminations
- Wishbone Four
metalife
Senior Member
Looks like Argus will be my next listen. Cheers.
Jake T
Running With The Pack
Wishbone Ash - 20th Anniversary Concert 1989 (Original Members) Remastered
1. Real Guitars Have Wings
2. The King Will Come
3. Cosmic Jazz
4. Keeper Of The Light
5. Why Don't We
6. Blowin' Free
7. Blind Eye
8. Lady Whisky
9. Sometime World
10. Phoenix
11. Jailbait
Wishbone Ash:
Andy Powell / guitar, vocals
Ted Turner / guitar, vocals
Martin Turner / vocals, bass
Steve Upton / drums
1. Real Guitars Have Wings
2. The King Will Come
3. Cosmic Jazz
4. Keeper Of The Light
5. Why Don't We
6. Blowin' Free
7. Blind Eye
8. Lady Whisky
9. Sometime World
10. Phoenix
11. Jailbait
Wishbone Ash:
Andy Powell / guitar, vocals
Ted Turner / guitar, vocals
Martin Turner / vocals, bass
Steve Upton / drums
