Which tracks do you fellows use to audition speakers and other audio components?
I'll list my non-classical stuff for now. Generally speaking, I usually like female vocals, as I think they're more telling than other "instruments."
"Fixing a Hole" from Connie Evingson's
Let It Be Jazz
"What You Wish For" and "Center of Attention" from Guster's
Lost and Gone Forever
"Prelude, Op.28, No.20" from Warren Bernhardt's
Hands On
"Let Your Voice Be Heard" and "Shenandoah" from Cantus's
Let Your Voice Be Heard
"Delia's Gone" from Johnny Cash's
American Recordings (American I)
"I Can See Clearly Now" from Holly Cole's
Don't Smoke in Bed
"Roll Jordan Roll" from Fairfield Four's
Standing in the Safety Zone
"I Close My Eyes" from Fallen Angels'
Rain of Fire (the Mapleshade rock recording I referred to in another post)
"If I Had You" from Diana Krall's
All for You
"Peel Me a Grape" and "Garden in the Rain" from Diana Krall's
Love Scenes
"Hit the Road to Dreamland" from Jane Monheit's
Come Dream with Me
"In the Evening (When the Sun Goes Down)" from Mel Tormé's
The Duke Ellington and Count Basie Songbooks
"Tell It All" from Pat Metheny Group's
First Circle
Those are the non-classical staples I come back to all the time, but there could be others depending on, well, all sorts of things.