Concept Albums: Does Anyone Care About The Concept?

Big Ears

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I have the Parsons albums from Tales to Eve. I like 'I, Robot' which is virtually Pilot with some good singers like Lenny Zakatek. Probably all of the APP associated albums have a concept.

I know some of the other albums are good (Turn of a Friendly Card) and I have not heard the separate Woolfson and Parsons solo albums. Parsons produced Lenny Zakatek's solo album which I also haven't heard.

I, Robot, the concept album, like the source novel, was ahead of its time - being concerned with the perils of AI. ELP had also concentrated on this a bit earlier on BSS.
 

LG

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^^I have Woolfson's "Freudiana" and it's pretty good. Done with all the usual studio suspects that the Project used with great success over the years. I didn't really follow him after the split from Parsons. Before passing away he and Parsons did reconcile which was nice to hear.
 

CREAM'd

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A few of my favourites.

Camel ~ The Snow Goose. The deluxe version with the Radio One In Concert 1975 disc is pretty special

Jethro Tull ~ Thick as a Brick. Ian Andersons Thick as a Brick II is also good.

Pink Floyd ~ Dark Side Of The Moon

The Kinks - The Kinks Are The Village Green Preservation Society

The Zombies ~ Odessey And Oracle

Beautiful album
Is Sgt. Pepper's LHCB a concept album?
 

Jonny Come Lately

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I haven't heard that many concept albums, though I would say I'm in favour of them, particularly when this involves the careful sequencing of tracks, or when songs segue into each other. I do however also appreciate albums which have a coherent storyline running through.

As concept albums go, I love Pink Floyd's The Dark Side Of The Moon, which I think is the perfect example of careful track sequencing, not just in driving the concept forward but also in sonic satisfaction - it's an album I play in full a lot anyway but once I've heard ''Money'' I almost always hear the rest of the album, as side two in particular flows so well from track to track.

I have to admit I do like the story of The Wall , I can understand where people are coming from when they complain that the album is a Roger Waters ego trip but I think it works well and is sufficiently universal to stand up. Of course, having songs like ''Comfortably Numb'', ''Run Like Hell'', ''Mother'' and so on probably helps! I've never heard Animals but I think the concept is sound there as well, unlike some of Roger Waters' solo albums - from what I've read the concept of Amused To Death is reasonably universal, i.e. more like a PF concept album, whereas The Pros And Cons Of Hitch-Hiking and especially Radio KAOS have somewhat bizarre concepts primarily relevant to Roger Waters.

I also really like the Eagles concept album Desperado, where I really like the outlaws concept, and again the track sequencing is excellent - I especially like how the hard rocker ''Out Of Control'' leads into the far more mellow ''Tequila Sunrise'', which works on both a musical and narrative level. I also love the combined reprise of ''Doolin-Dalton'' and ''Desperado'' at the end of the album, which brings two threads of the story together. It's not necessarily obvious on first listen exactly where all the songs fit into the album's storyline, but I think they do combine to make a coherent concept album - for example, ''Bitter Creek'' (named after one of the gang members) has lyrics about planning a bank robbery, while the ''Doolin-Dalton reprise'' starts with the gang attempting a robbery.
 

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