mr_crowley

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[Excerpt below - continue reading at my Substack page!]

To paraphrase Rodney Dangerfield, Pearl Jam don’t get no respect.

This is of course not literally true. The band’s had 30+ years of platinum records, immortal singles and raucous live shows. They enjoy one of the most passionate fanbases in rock. But outside that fanbase lies a fearsome & judgmental sea known as the “general public.” To them, the band lacks a key thing: a “Grand Artistic Statement,” an album that defines a core ethos, declares a left turn and executes it to perfection.

Such works scatter the lists of greatest albums ever. Sgt. Pepper established the archetype. Radiohead’s Kid A may be the quintessential example. And a relevant one can be found right back in Seattle with Nirvana’s In Utero. Yet Pearl Jam is often absent at the top of these lists.

Pearl Jam hardly needs such a frivolity. Their Grand Artistic Statement is their catalog itself, its consistency & diversity. But why don’t Kid A’s or In Utero’s flowers rain down on them, too?

The answer is that this singular left turn album, for Pearl Jam, is spread across TWO albums: 1994’s Vitalogy and 1996’s commercial self-immolation, No Code. Each one is driven by an experimental, individualist, and singular philosophy, but both fall short of rock pantheon standards — for quite different reasons.

[Continue reading here]
 

BeatleMatt

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For me No Code was a bit of a disappointment following the triumphs of their first three albums.
You might be right. No Code is either experimental or they were burning out from playing live.
 

Catfish

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View attachment 233015
[Excerpt below - continue reading at my Substack page!]

To paraphrase Rodney Dangerfield, Pearl Jam don’t get no respect.

This is of course not literally true. The band’s had 30+ years of platinum records, immortal singles and raucous live shows. They enjoy one of the most passionate fanbases in rock. But outside that fanbase lies a fearsome & judgmental sea known as the “general public.” To them, the band lacks a key thing: a “Grand Artistic Statement,” an album that defines a core ethos, declares a left turn and executes it to perfection.

Such works scatter the lists of greatest albums ever. Sgt. Pepper established the archetype. Radiohead’s Kid A may be the quintessential example. And a relevant one can be found right back in Seattle with Nirvana’s In Utero. Yet Pearl Jam is often absent at the top of these lists.

Pearl Jam hardly needs such a frivolity. Their Grand Artistic Statement is their catalog itself, its consistency & diversity. But why don’t Kid A’s or In Utero’s flowers rain down on them, too?

The answer is that this singular left turn album, for Pearl Jam, is spread across TWO albums: 1994’s Vitalogy and 1996’s commercial self-immolation, No Code. Each one is driven by an experimental, individualist, and singular philosophy, but both fall short of rock pantheon standards — for quite different reasons.

[Continue reading here]
I previously reviewed what I felt was the band's best effort.... "10". My 3 *** rating is a lot based on that I was really all that enamored with the Grunge genre. Again, just my "druthers" than an evaluation of the band's worth. Overall, along with Nirvana, they are (IMO) included best in class in said genre.

Some of it might have been my thougts of Vedder's obnoxiousness, also maybe there seems to be in inate redundancy in grunge's meter and style. Again, just my thoughts, and preference,
 

dr wu

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For those interested.....the Grunge thread.
I never listened to much grunge but I did like a number of songs from the various bands. My daughter bought me a few cds about 10 years ago from Nirvana, Pearl Jam, Stone Temple Pilots, and Soundgarden because I had none in my collection.
My favorite still is Soundgarden- 'Superunknown' though there are solid tracks on all those lps.
Thought both Nirvana and Pearl Jam were a bit overrated.
 

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