TheSound
An Englishman in New York
@TS First off, I just want to say thanks for your "Over the top" input/response![]()
. I was expecting maybe a paragraph or 2 when I came back from school, I got 4
. Peace and Love
Thanks for that Wanderer

Extremely good and heartfelt posts there by you I thought, and by MrJim too, and I think yes, I probably should start to read your journal! I can see that you give Springsteen and his music a lot of thought and time, and nothing you say is remotely wrong in my view because when an artist is entering the 5th decade of a career as Bruce is, there will always be records from the past which divide even his biggest fans – I’m a member of the Greasy Lake forum (mainly only as a lurker, as I simply don’t have enough free time for another ‘rock forum’ ) and some of the guys on there who have seen literally 300+ Springsteen shows over the past 40 years, and who know every single word of every song he has ever written off by heart, even they can’t agree on albums such as Nebraska and The Rising. In fact the only thing which I find most Springsteen fans do seem able to agree on, is that ‘Working on a Dream’ was a total turkey (I usually refer to it as ‘Working on a Nightmare’ )… so obviously even Bruce can have a really bad day at the office! In fact I doubt I will ever play that album again end to end…for me at least there’s maybe 3 or at most 4 songs on there worth a damn ( Tomorrow Never Knows, Working on a Dream, The Last Carnival, The Wrestler)…so, be warned! ….but ‘The Last Carnival’ wouldn’t look out of place on any of the past great Springsteen records…it’s a song which has been interpreted as being a tribute to his great friend Danny Federici of the E Street Band, who passed away in 2008…
In fact that whole WOAD album was dedicated to Danny, which is why it’s a shame that it’s such a poor album.
But I’d say the only important thing for any artist in my view is that he/she makes records purely and selfishly for themselves, based on how they feel, and what they want to say, and how they want to sound at any given time, because that is what an artist does, regardless of what the public or the critics expects them to sound like, or wants them to sound like. I don’t myself believe in sticking too rigidly to ‘formulas’ at all in music…as soon as an artist starts to pander to popular taste and just churn out an endless production line of stuff in the same style, in order to have a quiet life and to keep his adoring public satisfied, then he is effectively dead as a creative artist, and he’s just become a rock ‘ n roll museum exhibit, and in the process he’s basically just become his own best Tribute-Band. So that is why albums such as ‘Nebraska’ and ‘Tom Joad’ and others are (imo) so important… I guarantee that he could by now have produced 20 albums in the ‘Born to Run’/’Darkness’ style if he’d wanted to.
So, as MrJim said, keep the passion!
