Re: The Official BLONDIE Thread!!
Blondie (band)
From Wikipedia, the free encyclopedia
Blondie is an American rock band founded by singer Deborah Harry and guitarist Chris Stein. The band was a pioneer in the early American new wave and punk rock scenes of the mid-1970s. Their first two albums contained strong elements of these genres, and although successful in the United Kingdom and Australia, Blondie was regarded as an underground band in the United States until the release of Parallel Lines in 1978. Over the next three years, the band achieved several hit singles and is noted for its eclectic mix of musical styles incorporating elements of disco, pop, rap, and reggae, while retaining a basic style as a new wave band.
The band broke up after the release of their sixth studio album The Hunter in 1982. Debbie Harry continued to pursue a solo career with varied results after taking a few years off to care for partner Chris Stein, who was diagnosed with pemphigus, a rare autoimmune disease of the skin.
The group reformed in 1997, achieving renewed success and a number one single in the United Kingdom with "Maria" in 1999. The group toured and performed throughout the world during the following years, and was inducted into the Rock and Roll Hall of Fame in 2006. Blondie has sold 40 million records worldwide and is still active today, with a new album, Panic of Girls, planned for release in June 2010.
History
Early career (1975–1978)
In the early 1970s, Chris Stein moved from Brooklyn to Manhattan. There, inspired by the burgeoning new music scene New York Dolls, et al., aimed to join a similar band. He joined The Stilettos in 1973 as their guitarist and formed a romantic relationship with the band's vocalist, Debbie Harry. A former waitress and Playboy Bunny, Harry had been a member of the folk-rock band, The Wind in the Willows, in the late 1960s. In 1974, Stein parted ways with The Stilettos and Elda Gentile, the band's originator. Stein and Harry formed a new band with drummer Billy O'Connor and bassist Fred Smith. By 1975, after some personnel turnover (other early members included sisters Tish Bellomo and Eileen Bellomo on backing vocals), Stein and Harry were joined by drummer Clem Burke, keyboard player Jimmy Destri and bass player Gary Valentine. Originally billed as Angel and the Snake, the band renamed themselves Blondie in late 1975. The name derived from comments made by truck drivers who catcalled "Hey, Blondie" to Harry as they drove by.Later, band members were bemused to learn that the name was shared by Adolf Hitler's dog 'Blondi', a fact acknowledged in parody when, in 1997, they semi-anonymously contributed a cover of "Ordinary Bummer" to the Iggy Pop tribute album We Will Fall under the pseudonym 'Adolph's Dog'.
Blondie became regulars at Max's Kansas City and CBGB. They got their first record deal with Private Stock Records in early 1976 and released their debut single "X-Offender" on June 17, 1976.[citation needed] Their debut album Blondie (AUS #14, UK #75) was issued in December 1976. In September 1977, Blondie bought back its contract with Private Stock and then signed with Chrysalis Records. The first album was re-released on the new label in October 1977. Rolling Stone's review of the debut album observed the eclectic nature of the group's music, comparing it to Phil Spector and The Who, and commented that the album's two strengths were Richard Gottehrer's production and the persona of Deborah Harry, saying she performed with "utter aplomb and involvement throughout: even when she's portraying a character consummately obnoxious and spaced-out, there is a wink of awareness that is comforting and amusing yet never condescending." It also noted that Harry was the "possessor of a bombshell zombie's voice that can sound dreamily seductive and woodenly Mansonite within the same song".
Blondie, 1976. L-R: Gary Valentine, Clem Burke, Debbie Harry, Chris Stein and Jimmy Destri.The band's first commercial success occurred in Australia in 1977, when the music television program Countdown mistakenly played their video "In the Flesh", which was the B-side of their current single "X-Offender". Jimmy Destri later credited the show's Molly Meldrum for their initial success, commenting that "we still thank him to this day" for playing the wrong song. In a 1998 interview, band member Clem Burke recalled seeing the episode in which the wrong song was played, but he and Chris Stein suggested that it may have been a deliberate subterfuge on the part of Meldrum. Stein asserted that "X-Offender" was "too crazy and aggressive [to become a hit]", while "In the Flesh" was "not representative of any punk sensibility. Over the years, I've thought they probably played both things but liked one better. That's all." In retrospect, Burke described "In the Flesh" as "a forerunner to the power ballad".
The single and album each reached the Australian top five in October 1977, and a subsequent double-A release of "X-Offender" and "Rip Her to Shreds" was also popular. A successful Australian tour followed in December, though it was marred by an incident in Brisbane when disappointed fans almost rioted after Harry canceled a performance due to illness.
In February 1978, Blondie released their second album, Plastic Letters (UK #10, US #78). The album was recorded as a four-piece band because Gary Valentine had left the band. Plastic Letters was promoted extensively throughout Europe and Asia by Chrysalis Records. The album's first single, "Denis", was a cover version of Randy and the Rainbows' 1963 hit. It reached number two on the British singles charts, while both the album and its second single, "(I'm Always Touched by Your) Presence, Dear", reached the British top ten. That chart success, along with a successful 1978 UK tour including a gig at London's Roundhouse, made Blondie one of the first American new wave bands to achieve mainstream success in the United Kingdom.[6] By this time, Gary Valentine had been replaced by Frank Infante (guitar, bass guitar), and shortly after that Nigel Harrison (bass guitar) joined, expanding the band to a six-piece for the first time.
Allmusic later described Plastic Letters as inferior to its predecessor, saying that with the exception of the two singles, it appeared to have been constructed from "leftovers" from the Blondie album. It noted that Gottehrer's production could not compensate for the "pedestrian musical tracks" or save the album from "general mediocrity".
