Sweaty
ThE OtHeR rAmOnE
The Enid are a British rock band founded in 1975 by Robert John Godfrey, Stephen Stewart and Francis Lickerish. Another early member was William Gilmour, who subsequently founded his own band Craft and now plays keyboards in Lickerish's band Secret Green.
The Enid began recording at about the same time as punk rock burst upon the scene. Godfrey has said that he always regarded The Enid's ironic takes on classical music as being just as anarchic as anything by the Sex Pistols, but this did not translate into either musical or commercial recognition, despite their work being played frequently by Tommy Vance on BBC Radio One's Friday Rock Show. In 1981, the band played most of the music for Kim Wilde's self-titled debut album. After some unpleasant experiences with major record labels, which initially welcomed the band with open arms and then dumped them after failing to promote their records, the band relied on self-publishing and promotion, which was helped by the fact that their settlement with one of the labels included some recording equipment. The band used this equipment to establish The Lodge Recording Studio, hiring its facilities to other bands in between their own projects.
Robert John Godfrey has said that he does not regard The Enid as a progressive rock band and would rather not be associated with the term, but that has not stopped prog rock fanzines and websites from promoting the band. He has also been quite scathing in his criticism of "neo-progressive" bands like Marillion and Pendragon, accusing them of lacking charm, talent and originality. However, this has not prevented the band from taking advantage of publicity in prog rock websites and magazines.
In the 2001 the band formed a marketing agreement with Inner Sanctum which saw most of the band's back-catalogue being reissued on that label. However, in 2009 they announced that Inner Sanctum was illegally attempting to take control of the band's name and copyrights. As a result of the ensuing legal action the Journey's End album was released on the band's own Enidiworks/Operation Seraphim label.
The band are still touring and I saw them last year in Sheffield, I was amazed at how good they were being as though I had waited years to see them and now I will be seeing them again in August at the Cambridge Rock festival.
Here is a taster of what they have done and I hope they will continue to do for some time.
The Loved Ones
Stonehenge 1984
The Enid began recording at about the same time as punk rock burst upon the scene. Godfrey has said that he always regarded The Enid's ironic takes on classical music as being just as anarchic as anything by the Sex Pistols, but this did not translate into either musical or commercial recognition, despite their work being played frequently by Tommy Vance on BBC Radio One's Friday Rock Show. In 1981, the band played most of the music for Kim Wilde's self-titled debut album. After some unpleasant experiences with major record labels, which initially welcomed the band with open arms and then dumped them after failing to promote their records, the band relied on self-publishing and promotion, which was helped by the fact that their settlement with one of the labels included some recording equipment. The band used this equipment to establish The Lodge Recording Studio, hiring its facilities to other bands in between their own projects.
Robert John Godfrey has said that he does not regard The Enid as a progressive rock band and would rather not be associated with the term, but that has not stopped prog rock fanzines and websites from promoting the band. He has also been quite scathing in his criticism of "neo-progressive" bands like Marillion and Pendragon, accusing them of lacking charm, talent and originality. However, this has not prevented the band from taking advantage of publicity in prog rock websites and magazines.
In the 2001 the band formed a marketing agreement with Inner Sanctum which saw most of the band's back-catalogue being reissued on that label. However, in 2009 they announced that Inner Sanctum was illegally attempting to take control of the band's name and copyrights. As a result of the ensuing legal action the Journey's End album was released on the band's own Enidiworks/Operation Seraphim label.
The band are still touring and I saw them last year in Sheffield, I was amazed at how good they were being as though I had waited years to see them and now I will be seeing them again in August at the Cambridge Rock festival.
Here is a taster of what they have done and I hope they will continue to do for some time.
The Loved Ones
Stonehenge 1984