Tommy Walker
Senior Member
- Joined
- Jan 6, 2011
- Posts
- 167
- Reaction score
- 1
I am a seasoned Dylan fan, so this is not my personal favorite album, but I will say that I have objectively deemed it Dylan's "best" album. It was his third (and last) in a string of mid 60s albums that were each mind-blowingly good on some level and collectively changed the musical landscape forever. The first, Bringing It All Back Home, featured him "plugging in" for the first time and firmly established him as more than just a folk act (famously alienating some of his early fans in the process), but lacked the cohesiveness of what would follow. Ultimately, what it represented was bigger than what it actually was. The second, Highway 61 Revisited, showed everyone the upper limit of what he was capable of. Dylan was very careful of every nuance, and, while it doesn't miss a step, it's almost too perfect. Blonde on Blonde was the follow up, and the only way you can follow up an album like Highway 61 (because you're not going to beat it at its own game) is to throw your insecurities aside and flex your muscles for the entire length of a double LP. I've always found it refreshing when Dylan doesn't take himself too seriously, which he doesn't here, but, at the same time, he's as cocky as ever. Taking heavily layered shots at everyone from John Lennon to Edie Sedgwick, it's like Dylan is telling everyone "I don't care what you think, but I know this is going to blow your mind." This is just one of those albums that every music fan should probably hear in its entirety, and the first Dylan album that I'd recommend to a new fan. Fair warning, though: it takes some getting used to, but once it takes hold of you, there's nothing like it.