Review Dream Theater - A Dramatic Turn Of Events (2011)

album review

joe

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A Dramatic Turn Of Events - Dream Theater

2011 - Roadrunner CD

- John Petrucci / guitars, vocals
- James Labrie / vocals
- John Myung / bass
- Jordan Rudess / keyboards
- Mike Mangini / drums

1. On The Backs Of Angels
2. Build Me Up, Break Me Down
3. Lost Not Forgotton
4. This Is The Life
5. Bridges In The Sky
6. Outcry
7. Far From Heaven
8. Breaking All Illusions
9. Beneath The Surface

"A Dramatic Turn Of Events". I don't hear it. Most of what I hear is recycled DT from the '90's: a little from Images And Words and Awake, a whole lot from Scenes From A Memory and Six Degress Of Inner Turbulence and a shift from the darkness of thier last few albums though some tracks try to capture the moral blindness theme so indicative of DT that the shadows are casting the remnants of the band's former image. Maybe the band's shadow has become a delusive image of semblance, unreal and unsubstantial. Maybe Mike Portnoy saw the light(?) as he suggested that the band take a hiatus as he recognised his burnout but his illumination wasn't seen from the other band members; free from what encumbers: ego and self-indulgence to maintain thier distinct individuality thus resulting in no cohension. Abtrusive. Lacking gravity.

However there is some glow to this album. Some tracks have a flame, hot and luminous but most have the glare of being painfully bright from the scintillations of over-complexity, void of sequence and intensity > cold and uninspired.

There's no denying the talent, for the most part of the musicians on a individual basis though the glitter and the flash become undiscernible to my hearing to the point of anxiety resulting in disengagement from the intense incandesence of excess gratification; a turning of the head due to the intense radiation of light if you will. Just unable to absorb the intricacies that are so entangled on the some of the tracks that are confusing to point of being abstrusive.

Glow:

James Labrie vocals sound better than the last ten years or so though on the ballads to me he sounds like he trying to reach Freddie Mercury but falls on his face. Again there's a certain octave Labrie reaches that sends a shimmering vibration through my spine. For me, Labrie's vocals have always been more suited to metal than prog. Him and the piano somehow don't accompany each other well. Sounds so inflated. Grandiloquent.

No Mike Portnoy background/harmony (what harmony) vocals.

Heavy expectations for Mike Mangini replacing Mike Portnoy. I think he does admirable job even though it sounds like he was put in the closet in the studio. He doesn't overplay and keeps things relatively simple unlike at times with Portnoy and his "fastest drummer in the world" attitude would detract and disconnect on some tracks.

John Petrucci's riffs.

More prog than metal.

Glare:

The keys of Jordan Rudess. I don't like to use the over used description "cheeze", but the sound and tone of his keys are the epitome of "cheeze". Lightweight in a heavy atmosphere. Nothing short of dischord. The mixing of Petrucci's riffs with Rudess' keys is like trying to mix oil and water. It just doesn't work. A bloody bamboozle. His soloing shredding is clumsy and has no metrical merit. His measure of musical rhythm and structure has no specific sequence what so ever. He enters and exits so awkwardly and has no semblance to time and length on a melodic level. Some of the great prog keyboardists go for the overkill, are pompous and bombastic but what do you call the playing of Rudess?...I don't know. I've never heard anything like this. He is the perfect example of individualism.

The riffs of John Petrucci.

The ballads. All three of them. Three too many.

Once a team that has taken on the attitude and mentallity of all-star team.

What is old is new again. I'm come away from listening to this album a half dozen times hearing basically the same old stuff. Actually some prog albums do take some time to comprehend, appreciate and understand the nuances and complexities but then again some prog albums never achieve any sence of concurrence, continuity and cooperation. A Dramatic Turn Of Events falls into the latter. Truth be told, with more listens this album has become unbearable.

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Riff Raff

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Re: A Dramatic Turn Of Events - Dream Theater

2 stars summed up my first listen but it gradually got better for me.
But I can respect and actually appreciate a good honest review about its flaws :)
 

Cosmic Harmony

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Re: A Dramatic Turn Of Events - Dream Theater

A very well written review, Joe. :good You bring up some very good points on this album. I keep hearing that this album is going to grow on me but thus far...if this wasn't an album by a band that I loved so much then I probably would have written it off by now.
 

Prime

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Re: A Dramatic Turn Of Events - Dream Theater

I personally love this album, and I would give it around a 4/5 stars for a rating. I think it has something to do with being able to see them live and seeing some of their new material performed live.
 

METALPRIEST

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Re: A Dramatic Turn Of Events - Dream Theater

I really like the album myself, but the write up I respect and is very good. Also I feel that good points were made as well.

No matter whether I like the new CD or not, I miss Portnoy and it ain't no Metropolis. :grinthumb
 

Riff Raff

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Re: A Dramatic Turn Of Events - Dream Theater

I like this album but it is definitely not perfect by any means.
 

joe

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Re: A Dramatic Turn Of Events - Dream Theater

2 stars summed up my first listen but it gradually got better for me.
But I can respect and actually appreciate a good honest review about its flaws :)

Thanx Riff. Black Clouds And Silver Linings took me a half dozen listens to grow on me. This album had the opposite effect.

A very well written review, Joe. :good You bring up some very good points on this album. I keep hearing that this album is going to grow on me but thus far...if this wasn't an album by a band that I loved so much then I probably would have written it off by now.

Thanx Cosmic. I know you're a big fan of the band and I always considered myself a "centrist", neither a fanboy or a hater of DT and having all thier studio albums which I've rated all positive with the exception of the EP, A Change Of Seasons, this album goes back but doesn't move forward. It sounds as tired as I'm tired of listening it.

I personally love this album, and I would give it around a 4/5 stars for a rating. I think it has something to do with being able to see them live and seeing some of their new material performed live.

I think that holds true for most people in most cases Prime when the see a band live. I'd like to to see them live.

I really like the album myself, but the write up I respect and is very good. Also I feel that good points were made as well.

No matter whether I like the new CD or not, I miss Portnoy and it ain't no Metropolis. :grinthumb

Thanx MP. Maybe this was supposed to be Metropolis Part 3. Same old with a few frills and wrinkles thrown in.
 

recgord27

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A Dramatic Turn Of Events - Dream Theater


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Great review joe. Dream Theater have never been the same without Mike Portnoy. Totally agree with the "recycling" comment. A valiant effort nonetheless. I'd give it 3 stars
 

Schmetterling

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A few years ago - well maybe about 10 or so - I couldn't get enough of DT. I still love the older albums up to and including Octavarium, but after that they seemed to completely lose the plot and the 2 following albums to Octavarium : Systematic Chaos and Black Clouds and Silver Linings just made me cringe - simply dreadful albums in my opinion (although I understand that many will disagree with me on that) My dislike of those 2 albums was largely due to Portnoys growling and Labries wailing, but aside from those 2 factors I just thought the songs were all totally crap compared to previous efforts.

I can listen to A Dramatic Turn of Events without cringing in the same way, although I have to admit I feel entirely indifferent to it and can't seem to get into it the way I could with the earlier releases as it all seems a bit bland, and I much preferred the production on the older albums with the drums right in yer face so to speak, but Portnoy always had a hand in that whereas I think it was Petrucci alone who produced Turn of Events wasn't it..?.

My opinion of the DT general standard of musicianship is unchanged : Rudess is a superb keyboardist although he does tend to overdo the sort of corny comedy stuff he throws in to the music way too often. I particularly like his piano work on just about everything he's ever done (comedy out-takes notwithstanding) although I've always found some of his synth sounds to be a bit dodgy even to the point of sounding a bit unpleasant on the ear. As for the playing of Petrucci and Myung : superb as always although I've always thought Myung could have had his playing a bit more prominent in the mix in certain places, and that's true for every album, sometimes you just can't hear him at all.

Mangini is a great drummer and undoubtedly the equal of Portnoy in terms of skill and ability, but on this album the drums are just too far back in the mix for my taste - I like 'em loud ala Portnoy..!

Labrie just needs to call it a day and retire and I'll say no more on that or him - just look at the youtube footage from the Wacken thing a couple of years ago if you need more convincing on that point.

I haven't heard the latest album and I probably wont make any effort to listen as they peaked for me with Scenes from a Memory and went very slowly downhill from there till Systematic Chaos when they plunged right off a cliff. Portnoy recognised this and left and I think he made the right decision.
 
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