REO Speedwagon (Official Thread)

Craig in Indy

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REO Speedwagon Website
Original REO Speedwagon UK Website

REO Albums:

R.E.O. Speedwagon (1971)
R.E.O./T.W.O. (1972)
Ridin' the Storm Out (1973)
Lost in a Dream (1974)
This Time We Mean It (1975)
R.E.O. (1976)
Live: You Get What You Play For (1977)
You Can Tune a Piano but You Can't Tuna Fish (1978)
Nine Lives (1979)
Hi Infidelity (1980)
Good Trouble (1982)
Wheels Are Turnin' (1984)
Life as We Know It (1987)
The Earth, a Small Man, His Dog and a Chicken (1990)
Building the Bridge (1996)
Find Your Own Way Home (2007)


All of my old LPs have been transferred to CD for a few weeks now, but I'm still in the process of migrating those CDs to the hard drive. Last night I pulled out an old one I hadn't listened to in a long, long time - REO Speedwagon's self-titled first LP, released in 1971 on Epic Records:

reoreof.jpg

reoreob.jpg

Now at the risk of offending some folks here, I should say I was never a big fan of the latter-day REO, the band that became such a major arena-rock attraction. Something about that whole power-ballad thing just never appealed to me. But this album was back when their sound was different, when they were not much more than a college band with a distinct talent for blending rock with boogie-woogie.

The sound is much more raw and immediate, and not nearly as slick as it was to later become. Vocals were handled by the original singer, Terry Luttrell, who lasted only one album and really sounded nothing like Kevin Cronin, the band's 2nd and 4th singer and the one whose voice is most identified with the band.

Founding member Neil Doughty's piano is featured just as prominently as Gary Richrath's guitar, which really lends a rollicking, boogie feel to the music, and makes it easy to imagine these guys rocking a smoky college bar.

The songs are nothing really profound, though they're perfectly servicable. There are only one or two stabs at lyric relavence that end up being a little embarrassing, including the questionable "Prison Women," though to be fair there are also one or two that are pretty timeless, like "Anti-Establishment Man." You can hear more than a few hints of Richrath's scorching guitar talents which would come to serve the band so well throughout the years, particularly as an antidote to Cronin's somewhat saccharin balladry.

One curiousity is an LP-cover "thank you" credit to Dan Fogelberg, whose music is nothing like this, though it's not hard to imagine them knowing one another, as they were all central Illinois boys at some point. Fogelberg was from Peoria - where I grew up - and REO got together 90 miles away at the University of Illinois in Urbana-Champaign. In fact, when I was a senior in high school REO played a gig in our gym, and the cover of their 2nd album R.E.O. T.W.O. (also mostly forgotten, just like their first) was shot in Vriner's Confectionary, an old drug-store/diner/candy store in downtown Champaign.

Anyway, REO Speedwagon is a fun album of rollicking good-time rock/boogie that I'd recommend to anyone looking for a 40-minute escape from today's drudgeries.
 
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Tiny Tim

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Re: Early REO

REO T.W.O. is my favorite album by REO. Pretty much liked everything up to Nine Lives. After that they fell in love with their pop sucess and started catering to the charts IMO.
 

0000

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Re: Early REO

I listen to their first three every once in a while, but I prefer mid career best...
favorite albums are High Infidelity and You can Tune A Piano, But You Can't Tuna Fish, I also like Good Trouble, but from their early years my favorite is Ride Out The Storm, I have their discography up til the one they released in like 85 or 86, after that it got pretty lame
I agree those early albums are full of fun, good ole rock n roll songs, very underrated as far as the albums go
 

rtbuck

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Re: Early REO

I love those first 2 REO album. 157 Riverside Avenue is my favorite REO Tune(Any version). Anti- Establishment Man & 5 Men Were Killed Today were pretty radical Songs.
In the late 70's I got into REO after seeing them perform Roll with the Changes on Don Kirschner's Rock Concert which had me go out & by You Can Tune a Piano. I also bought the double Live Record which was incredible. I picked up REO 2 after seeing that they covered "Little Queenie". As I've said before...anytime I seen a Chuck Berry cover song on an album I would buy it. I think Gary Richrath is one of the most underated guitarists
 

METALPRIEST

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Re: Early REO

I listen to their first three every once in a while, but I prefer mid career best...
favorite albums are High Infidelity and You can Tune A Piano, But You Can't Tuna Fish, I also like Good Trouble, but from their early years my favorite is Ride Out The Storm, I have their discography up til the one they released in like 85 or 86, after that it got pretty lame
I agree those early albums are full of fun, good ole rock n roll songs, very underrated as far as the albums go

I'm surprised at your opinion here but I agree with you on all points here. :grinthumb

One of my favorite early albums is Lost In A Dream

51l8bv-HDeL._SL500_AA240_.jpg

There was atime that I liked Good Trouble better than Hi Infideltiy.

I need to get them both out soon and spin them back to back.

These are a couple of my favorites from GT

51mEU2zQGRL._SL500_AA240_.jpg
 

0000

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Re: Early REO

why'd you find that surprising MP? just wondering lol
it depends on my mood if I like Good Trouble or High Infidelity more, usually I like HI better, but there of the off days I like GT better :tongue:
I do want to get hard copies of those two, I only have them digital
 

LG

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Re: Early REO

Nice thread Craig, I only have High Infidelity by REO. I used to have a double LP greatest hits album but it's long gone.
 

Rocker440

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Re: Early REO

All of my old LPs have been transferred to CD for a few weeks now, but I'm still in the process of migrating those CDs to the hard drive. Last night I pulled out an old one I hadn't listened to in a long, long time - REO Speedwagon's self-titled first LP, released in 1971 on Epic Records:

reoreof.jpg

reoreob.jpg

Now at the risk of offending some folks here, I should say I was never a big fan of the latter-day REO, the band that became such a major arena-rock attraction. Something about that whole power-ballad thing just never appealed to me. But this album was back when their sound was different, when they were not much more than a college band with a distinct talent for blending rock with boogie-woogie.

The sound is much more raw and immediate, and not nearly as slick as it was to later become. Vocals were handled by the original singer, Terry Luttrell, who lasted only one album and really sounded nothing like Kevin Cronin, the band's 2nd and 4th singer and the one whose voice is most identified with the band.

Founding member Neil Doughty's piano is featured just as prominently as Gary Richrath's guitar, which really lends a rollicking, boogie feel to the music, and makes it easy to imagine these guys rocking a smoky college bar.

The songs are nothing really profound, though they're perfectly servicable. There are only one or two stabs at lyric relavence that end up being a little embarrassing, including the questionable "Prison Women," though to be fair there are also one or two that are pretty timeless, like "Anti-Establishment Man." You can hear more than a few hints of Richrath's scorching guitar talents which would come to serve the band so well throughout the years, particularly as an antidote to Cronin's somewhat saccharin balladry.

One curiousity is an LP-cover "thank you" credit to Dan Fogelberg, whose music is nothing like this, though it's not hard to imagine them knowing one another, as they were all central Illinois boys at some point. Fogelberg was from Peoria - where I grew up - and REO got together 90 miles away at the University of Illinois in Urbana-Champaign. In fact, when I was a senior in high school REO played a gig in our gym, and the cover of their 2nd album R.E.O. T.W.O. (also mostly forgotten, just like their first) was shot in Vriner's Confectionary, an old drug-store/diner/candy store in downtown Champaign.

Anyway, REO Speedwagon is a fun album of rollicking good-time rock/boogie that I'd recommend to anyone looking for a 40-minute escape from today's drudgeries.

Wow, Craig! You are right on all accounts, and I defintely agree with most everything that you said, too! Some people might not know much about REO's first album, unless they have that album, as do I. This was the first, ironically, album of REO's that I heard (thanks immensely to my older brother :)) and although every song might not be remarkable, there are most certainly several highlights, imo. Terry Luttrell had a unique sound to his voice, I don't know if I'd say it was 'bluesy', but at least to me, a natural fit to the music that they were playing at that time. Also, if I'm not mistaken, REO had been playing for some time in the midwest and were known to some, as well as liked, in those areas of the country before becoming more widely known, then touring more extensively across the country, too.

I have many fond memories of both this album, several of the songs and the excellent music, too! '157 Riverside Avenue' is definitely one of the best tracks on this album, it also was a mainstay in their live set, as well. Gary Richrath is a fantastic guitarist, and although some may think he's possibly underrated, I feel differently! Experiencing his live playing will certainly lay that perception to rest. He is one of the most skilled guitarists that I have had the great pleasure of seeing in concert, and I've seen more then a few! :)
 

Craig in Indy

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Re: Early REO

Wow, Craig! You are right on all accounts, and I defintely agree with most everything that you said, too! Some people might not know much about REO's first album, unless they have that album, as do I. This was the first, ironically, album of REO's that I heard (thanks immensely to my older brother :)) and although every song might not be remarkable, there are most certainly several highlights, imo. Terry Luttrell had a unique sound to his voice, I don't know if I'd say it was 'bluesy', but at least to me, a natural fit to the music that they were playing at that time. Also, if I'm not mistaken, REO had been playing for some time in the midwest and were known to some, as well as liked, in those areas of the country before becoming more widely known, then touring more extensively across the country, too.

I have many fond memories of both this album, several of the songs and the excellent music, too! '157 Riverside Avenue' is definitely one of the best tracks on this album, it also was a mainstay in their live set, as well. Gary Richrath is a fantastic guitarist, and although some may think he's possibly underrated, I feel differently! Experiencing his live playing will certainly lay that perception to rest. He is one of the most skilled guitarists that I have had the great pleasure of seeing in concert, and I've seen more then a few! :)

You're absolutely right about Luttrell having a bluesy quality to his vocals. It really adds to that whole bar-band/boogie kind of feeling many of the songs have, as well as adding a little something to his "wailer" numbers like "Dead At Last" (even if he is a little flat at times ;)).

"157..." is a great song, and has a terrific piano intro before it really kicks off and rocks. I had listened to it for many, many years before I made the connection between the lyrics and the fact that the LP was recorded in Connecticut (I have no idea how a Central Illinois band ended up going to CT to record their first record - I'm sure that would be an interesting story in itself). The lyrics talk about going to CT ("Saugatuck River was flowing, mother nature's colors were showing") and trying to find a place to stay there ("tried Bridgeport, we tried Westport..."). So I'm assuming it was written about their trip there to record the LP.

And you're also right about Richrath being a hugely underrated guitarist, though what I always remember most about him is the legend of his having shot off one of his toes to get out of the draft. Apocryphal? Maybe, maybe not... :wtf:
 

METALPRIEST

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Re: Early REO

why'd you find that surprising MP? just wondering lol
it depends on my mood if I like Good Trouble or High Infidelity more, usually I like HI better, but there of the off days I like GT better :tongue:
I do want to get hard copies of those two, I only have them digital

Probably just cause they are a bit more on the poppy side...I see you like alot more southern sounding rock..at times...not always...but I guess even in their pop mode it's all there still.

I love both albums!! They get knocked on but they are fine recordings. :grinthumb
 

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